Interview: Book Publishing from Beginning to End

I was interviewed recently by Eve Odum, student at the University of St. Francis, & her professor the poet Beth McDermott for a podcast they’ve been putting together. Book Publishing from Beginning to End focuses on the varying paths to publication for kidlit writers. I had a lovely time talking to these two smart, thoughtful women! It’s a great project. The podcast episode has been up for a couple of weeks, but only today did I have a chance to listen. We focused mainly on my picture book Adriana’s Angels, but along the way we also talked about writing & publishing poetry, the sting of rejection, the perils of social media for writers, how to cope with publication envy, the value of being rooted in a supportive community, & more. So make a big mug of tea or coffee, as the discussion runs for about 50 minutes. Then sit down & have a listen!

first spread.jpg

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In the meantime, some short but very warm reviews have been coming in for Picturing God. I’ve linked to them on the Press page of this website (see tab above right). I’ve added Eve’s interview there too, so it’ll remain easy to find.

The winner, & notes on a favorite spread

Carol Gordon Ekster, a fellow writer of children’s books, was among those who shared my Picturing God book-birthday post on social media, & having drawn her name from those who did so, I’m about to send her a copy of the book. Hurray! Check out her website by clicking on her name above; she has some delightful picture books specifically for bedtime, which for most kids is the best time for reading with parents or other caregivers. At the foot of the page are links to a blog & to her other social media pages. Carol is definitely a kidlit writer worth watching. Warm thanks to you, Carol!

Now I want to give you some background on one of the images from Picturing God.

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The art here is directly from Picturing God; the text is also a direct quote, but the designer made the letters larger for use online. It’s the right-hand page of the “God as clothing” spread, which wasn’t in the original plan for the book.

After reading my first or second draft, my editor turned out to be better at counting than I am (no great surprise there): she told me that my plan came to just 38 pages, not 40 as my contract stated. How exciting! I could further develop one of the God-metaphors I was already using, or I could add another.

I quickly decided on the latter, & Google led me to an excerpt from the splendid book Wearing God by Lauren Winner. I hadn’t thought of using the “put on Christ” encouragement from the New Testament, but it’s perfect for young children, for whom self-dressing involves numerous developmental milestones. Each mastery–pulling a shirt over one’s head, poking a button through the hole, getting shoes on the right feet, tying shoestrings–helps little ones to feel capable. So this would be another way they could picture God in everyday activities.

This was the spread where I figured out that good old corrugated cardboard would work fine for illustrating children closer up (those at some distance are done with ceramic pieces). The border at the foot of the page is also cardboard–the inner corrugations, painted gold by a good friend who is a splendid collagist. To make the boy’s hair (not shown here) I wrapped black twine lengths around a couple of metal collage tools, soaked them in runny flour paste, & let them dry. Curly hair! And the girl’s hair is special to me; it’s part of the fringe from a scarf I received as a gift, woven by a Wayúu woman from the Bahía Portete community. I think of these people & their remarkable story every time I look at this page. (It’s a very sad story, but in more recent years they have returned & are working hard to create a new viable community in their native territory.)

I myself am like a little kid, only learning, watching how the big kids do it & trying to copy them, when it comes to putting on Christ.

By my editor!

Today I want to share someone else’s writing. My editor for both Adriana’s Angels & Picturing God has blogged about our process with the Picturing God art, which departed from the usual because this art is so concrete & textured. And what she says about how reading/contemplating the book affects her, & how her two-&-a-half-year-old toddler has responded to it, makes me cry: this is how I myself often felt as I was cutting, nipping, stitching, arranging, gluing. As if it was all drawing me into the beautiful mysteries of God. Here, read her lovely words.

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Rocks & drips: Colombia Chronicles 2

In July I was privileged to tour Medellín’s Moravia neighborhood, constructed over a city dump. The original residents were garbage pickers, & some of them still live there. The dump itself has been built up into a grassy park with flower plantings, a large greenhouse (for flowers only, as the soil is too toxic to grow healthy vegetables/fruits), & a historical walking route with photo markers telling the community’s story.

(a) It’s a rather strenuous climb! (b) Images of the original dump. (c) Hillside garden. (d) The neighborhood is colorfully charming nowadays, though there’s still lots of poverty.

I was taken to visit a couple of preschools where children had heard & discussed Los ángeles de Adriana, my picture book about a Colombian refugee child & the guardian angels who accompany her. The Mama Chila school, named for its founder, was an incredibly inviting space. For my session with the children, the staff decorated with rocks because many of the kids were taken with the symbol of mean words as sharp little stones that “rattle around and hurt.”

preschool stones Moravia

Slips of paper were placed over some of the rocks. They bore quotes from the kids themselves:

  • The angels always accompany the little girl, because she can’t take care of herself alone.—Jampool (try pronouncing that in Spanish, but with an English-style J; you’ll realize that he’s named for a former pope!)
  • The rocks came into her from the children who didn’t want to play with her.—Dylan
  • I didn’t like the children who were treating Adriana badly, because they weren’t respecting her and their parents didn’t teach them to be kind.—Isis
  • Adriana’s angels always stay with her and help her to sleep.—Jhostin
  • The little stones fell off her bed because . . .—Valery; because the angels took them away!—Isis

These children had found a new way to talk about the pain that our words can inflict on each other. I am so happy to know that Los ángeles de Adriana has enriched their emotional vocabulary.

I also had the privilege of meeting a remarkable community songwriter, doña Efigenia, age 80. She is often sick, and her rustic little home is constantly filled with humidity because of drips from the roof. Hear an excerpt of one of her songs here, & consider donating to help put a new roof over her head. She lives in deep poverty & really needs our help. In dollars it won’t cost much at all!

Thank you for caring!

Endorsements! Portrait!

Picturing God has received a couple of beautiful endorsements thus far, from fellow writers for children & families. I am honored by their kind words!

“Colorful, richly textured, and wildly creative, Picturing God is a delight. Ruth Goring’s visual and literary exploration of many names and metaphors for God will open readers’ minds and hearts to that Word who is love. I love this book!”

Jennifer Grant, award-winning author of Maybe God Is Like That Too and Maybe I Can Love My Neighbor Too

“We need more books that help children envision God in ways that go beyond an old white man with a beard. Picturing God provides beautifully illustrated and poetic images that are straight out of scripture. I smiled along with every page.”

Traci Smith, author of Faithful Families and Prayers for Faithful Families

RuthGoring 2018 portrait

Last year my friend Katherine Vincent Lamb painted this portrait of me. I don’t know yet whether it will appear in the book–there’s an “about the author” blurb on the back page–but I love it, so I’m sharing it with you.

To be honest, there is a certain terror involved in releasing one’s art & writing into the world. Endorsements are gifts, calming me & saying, We are with you–your words & art are worthwhile. And what can I even say about an artist’s desire to paint me?

Books, children & donkeys

Have you watched videos or read about schoolteacher Luis Soriano’s biblioburro mobile library–books he mounts on his two donkeys & takes to children in remote regions of Magdalena Department (province) in Colombia? He named his donkeys Alfa & Beto, the two halves of the word alphabet in Spanish. (Fun bonus: the word literacy in Spanish is alfabetización. The biblioburros are definitely a literacy project!) See a delightful interview with him (with subtitles) at the link above.

Biblioburro

Photo from Wikipedia.

A two-year-old cousin of mine is currently entranced with the bilingual picture-book story of Soriano & his donkeys, Waiting for the Biblioburro by Monica Brown. I highly recommend it!

The work of literacy, of getting adults & children equipped & inspired to read, is work for social justice. Books open up our life possibilities, stimulate us to become better people & to respond to injustice, wake us up to the world’s beauty & pain. Sometime I’ll try making a list of books that have changed me. Today I just celebrate Luis & Alfa & Beto & all the children whose lives they are touching.

 

 

Cover Reveal: Picturing God!

Tiles, fabric, handmade paper, metal pieces . . . to inspire children to contemplate God’s tenderness and power.

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My new book will be released September 24, 2019, by Beaming Books. Picturing God is a milestone for me: the first book for which I’ve made the art as well as the text!

Of course there’s no way to create a faithful and complete visual representation of God. We have the stern “no graven image” commandment to protect us from that illusion. But the Bible is full of symbols and metaphors to help us picture and experience God in the depths of ourselves, via our imagination connected to our senses.

In my late twenties, a time of great pain and struggle, I began learning to access these biblical symbols in contemplative prayer and open myself to the healing they can bring—and I’m still learning. God as my Rock. God as an eagle sheltering her chicks under her wings. Jesus as my Shepherd. The Spirit as God’s cleansing breath, filling my lungs. Scriptures and prayers based on these symbols have drawn me into intimacy with God, into awe and wonder at the Love that holds me.

We human beings live by symbols. Strong, beautiful symbols stir us and change us.

Picturing God uses mosaic and collage—tiles, fabric, handmade paper, glass, metal pieces, twine, embroidery floss, paint, and other media—to inspire children and parents to contemplate God’s tenderness and power. Living Water, Bread of Life, Light of the World, Good Shepherd, Father and Mother: these and other biblically rooted metaphors are explored through art and poetic text. The book’s final page is a list of scriptures for each metaphor, so that families can look up and perhaps even memorize some of the related verses.

Making this book has been the most joyful work of my life! Every time I gathered materials and started laying them out on a canvas or square of plywood, I was drawn into a meditative awareness of God’s presence. I hope paging through the book will serve readers in a similar way. This winter I’m making final tweaks to the interior art—and eagerly looking forward to sharing the book far and wide in September!