A few years ago my mom and dad, my two older brothers, and I moved from a refugee camp in Tanzania to Chicago.
Now I’m eleven years old. My name is Happiness.
One Sunday night I sat down on my usual pillow on the couch between Mama’s legs so she could fix my hair. She divided it into skinny braids and then pulled them into an elastic band on top of my head.
“OK, I’m done,” she said. (Sometimes she does talk to me in English instead of Kirundi.)
I ran to the bathroom and checked in the mirror. I felt sad . . .
by Happiness Neema
In winter 2020, a couple of months before the pandemic restrictions began, I got together a couple of times with my young friend Happiness to work through & write down a story she wanted to tell. The wonderful Stone Soup magazine, with writing & art for & by children & youth, was pulling together submissions from kids who were living in refugee camps or had done so in the past. We sent her story off & hoped for the best!
Now the magazine’s Refugee Project page has gone live with a few initial posts–including Happiness’s story! Click here to read the personal narrative in its entirety.
If you know creative kids/teens who have life experience as refugees, the project’s main page has links for submissions. Their voices are important!
My friend Jason Brown puts out an occasional gathering of writing & art, Home::Keep. The second installment, RE::DIS//MIS, was launched December 16. I am so grateful to be honored with a folio page for some of my Colombia poems & photos! Jason’s theme is home–our experience of it, our lack of it, our longing for it. Because about 7 million Colombians have been internally displaced by violence, the loss of home comes up again & again in my writing.
The conversation was long and lively, and of course half of what I said is left out of this interview, which is nevertheless generous and so so encouraging.
So let me add a bit here. I’m part of the SCBWI-IL Diversity Community, and it’s important to us not just to populate the pages of kids’ books with more children of color, but also to boost and encourage authors and artists of color! Agents and editors of color too, for that matter–the publishing world in the USA, which I’ve worked in for most of my adult life, is still disproportionately white. We white folks should not be the only gatekeepers. And we need the voices of people of color (POC, called #ownvoices in current lingo) to inform and enrich the lives of our kids.
Also, diversity includes not just variety in skin color but also varieties of abilities and orientations.
It’s a privilege to see the many creative projects that are blooming among my fellow writers and artists! I feel so lucky to be part of the Diversity Community.
And I’m STOKED to have this introduction to Adriana’s Angels in the Tribune!