By my editor!

Today I want to share someone else’s writing. My editor for both Adriana’s Angels & Picturing God has blogged about our process with the Picturing God art, which departed from the usual because this art is so concrete & textured. And what she says about how reading/contemplating the book affects her, & how her two-&-a-half-year-old toddler has responded to it, makes me cry: this is how I myself often felt as I was cutting, nipping, stitching, arranging, gluing. As if it was all drawing me into the beautiful mysteries of God. Here, read her lovely words.

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Cover Reveal: Picturing God!

Tiles, fabric, handmade paper, metal pieces . . . to inspire children to contemplate God’s tenderness and power.

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My new book will be released September 24, 2019, by Beaming Books. Picturing God is a milestone for me: the first book for which I’ve made the art as well as the text!

Of course there’s no way to create a faithful and complete visual representation of God. We have the stern “no graven image” commandment to protect us from that illusion. But the Bible is full of symbols and metaphors to help us picture and experience God in the depths of ourselves, via our imagination connected to our senses.

In my late twenties, a time of great pain and struggle, I began learning to access these biblical symbols in contemplative prayer and open myself to the healing they can bring—and I’m still learning. God as my Rock. God as an eagle sheltering her chicks under her wings. Jesus as my Shepherd. The Spirit as God’s cleansing breath, filling my lungs. Scriptures and prayers based on these symbols have drawn me into intimacy with God, into awe and wonder at the Love that holds me.

We human beings live by symbols. Strong, beautiful symbols stir us and change us.

Picturing God uses mosaic and collage—tiles, fabric, handmade paper, glass, metal pieces, twine, embroidery floss, paint, and other media—to inspire children and parents to contemplate God’s tenderness and power. Living Water, Bread of Life, Light of the World, Good Shepherd, Father and Mother: these and other biblically rooted metaphors are explored through art and poetic text. The book’s final page is a list of scriptures for each metaphor, so that families can look up and perhaps even memorize some of the related verses.

Making this book has been the most joyful work of my life! Every time I gathered materials and started laying them out on a canvas or square of plywood, I was drawn into a meditative awareness of God’s presence. I hope paging through the book will serve readers in a similar way. This winter I’m making final tweaks to the interior art—and eagerly looking forward to sharing the book far and wide in September!

I do not forget you

A year ago, a group of artists & I created a 34×34″ mosaic/collage as a kind of physical prayer for the city & people of Eastern Aleppo, Syria.

Aleppo

For years I had been agonizing over the news emerging from Syria’s war–which as far as I could tell was mostly a war of the regime against some of its people, the ones who wanted to see change in their country. Taking a mosaic workshop (my second–it’s a medium that fascinates me) inspired me to launch this project. Jason Brown laid out a sketch, based on an online photo that haunted me.

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It’s a tragic image of a city laid waste, but we didn’t want to communicate only despair. So as we began to fill out the sketch with tiles and broken ceramic pieces & fabric, we regularly included small bright objects: a beaded ring, earrings, a small red heart, unexpected bits of color. For some these symbolized precious lost things, but for me they stood for the spirited people of Aleppo & those who took great risks to help others: the doctors in underground hospitals, the White Helmets who hurried out to rescue those buried under rubble after a bombing raid.

I had learned a lot from Dr. Zaher Sahloul, a Chicago-based doctor who made multiple trips to Aleppo with the Syrian American Medical Society. So we decided to use the mosaic to raise funds for SAMS, along with the Syrian Community Network, founded by Suzanne Akhras Sahloul, which serves Syrian refugees in the Chicago area. A good friend offered his beautiful home for a gathering in March 2017; there we contemplated the mosaic, the Sahlouls talked to us about Syria, & we collected donations.

By then Eastern Aleppo had been evacuated for a few months: as the regime took over that sector, those wishing to leave had been bused to Idlib. There are other besieged & blockaded communities in Syria today, places where food, clean water & medical supplies are scarce. As I write, the Syrian regime’s army is advancing into Idlib Governate.

Our mosaic is called Aleppo Is My Breath Prayer, because sometimes the only prayer I could muster was “Aleppo, Aleppo,” whispered on rising & falling breath. In the Christian mystical tradition, a breath prayer is a word or phrase that you repeat quietly in the ordinary rhythm of inhalation and exhalation. Our work is an expression of our prayers for peace, justice, and restoration in the beautiful country of Syria. The piece hangs in the sanctuary of Living Water Community Church, to remind us to keep praying. A photo of it also appears on the back cover of the just-published anthology Carrying the Branch: Poets in Search of Peace (Glass Lyre Press).

I do not forget you, Syria.

***

Aleppo Is My Breath Prayer, 2017

Artists: Ruth Goring, Jason Brown, Emily Klein, Ainsley Fleetwood, Katherine Lamb, Rebecca Larsen, Olga Mest, Jamie Daniel, Emily Bynum
Mounting: Ronald Frantz

Materials: ceramics (both tiles and broken dishes), abalone tile, rocks from Lake Michigan, bones, gold, old jewelry, cotton fabric, shells, clear glass, smalti and other glass tiles, copper, other metals, alcohol-based paint, acrylic paint, adhesives, permanent marker, and grout on composition board