Holy Saturday, bodily

in tree roots 2000.jpg

During a llama-packing overnight trek outside Portland, Oregon, 2000

Holy Saturday is an in-between time when Jesus’s body is just lying in the earth, in darkness. He had said he would fall into the soil like a seed. But how can a mutilated body become anything fruitful?

Years ago, when I was in campus ministry, Holy Saturday coincided with Earth Day. The students & I decided to join in a cleanup project at the West Branch Forest Preserve, on the outer western reaches of Chicagoland. Later I wrote a poem.

Holy Saturday
Earth Day 2000

We ride this scar of a road
to a deeper wound where limestone
was quarried from your bone–
a gouge filled now with water,
murky and teeming
with fish carrying secrets.
Today we tend your wound,
walk its perimeter like nurses
noting signs of infection;
we scoop up wrappers, cigarette
cartons, cups. We walk,
gaze, marvel like a lover
come in from a routine errand
overcome by sudden sight
of the loved one’s body in sleep,
its blurred hills, breath
entering and departing,
window light spreading
cross-shaped shadows on blankets,
skin and scars, and gratitude
rises like a shout as we pause
and take a stick to scrape
mud from our shoes.

* * *

showy sunflower

In the yard of the first home that I owned by myself, I planted flowering native plants. These are showy sunflowers, Helianthus rigidus. They grew up from thin little stems to bloom fiercely throughout late summer & most of the fall. So they’re not seasonal at this moment, but they’re signs of hope.

I think Holy Saturday is a day to be in our bodies, & in Earth’s bodiliness. For tending what seems dead–or is dead–& waiting for resurrection.

Journey to our childhood places

Last year four of my siblings & I traveled to southern Colombia to revisit the places where we grew up. We hadn’t been back to Nariño & Putumayo since we moved to Medellín when I was 12.

It was a more emotional experience than I expected. But instead of writing about it here, I’ll let you listen to the interview, recently aired, that I recorded about it with the gracious, thoughtful Jerome McDonnell of Chicago Public Radio’s Worldview program. We also talked about my daughter, Claire, & how some of my experiences with her informed my writing of Adriana’s Angels. Jerome has interviewed me about Colombia a number of times over the years; this time I was able to open my heart like never before.

WBEZ interview about Colombia trip & Adriana’s Angels

I’m grateful to producer & friend Steve Bynum, who edited the interview with great care & wove in the snippets of music so artfully.

The friend I speak of, who told her story of betrayal & pain as her husband, another friend, & I sat around her table weeping with her, keeps a beautiful garden. I am sure that cultivating this beauty has been part of her healing. So I close with two images from that holy place–one at twilight, one in full sun.

To my loneliness

My spiritual director asked what colors I would use to paint you.

Indigo, brightening in places to cobalt. The deep poignant blue of a summer sky at twilight, what I used to call Maxfield Parrish blue.

Variegated with rich greens for life and fruitfulness. And pricked with reds and oranges, sharp but beautiful cuts.

Mostly I live in solitude, not loneliness. But the painful moments of aloneness come, and they no longer frighten me. You have become a kind of friend.

You are a hollow place inside me, and I meet God in that very emptiness. You are sorrow and loss, you are longing, hunger.

Without you, what art would I make, and who would I be?

I do not forget you

A year ago, a group of artists & I created a 34×34″ mosaic/collage as a kind of physical prayer for the city & people of Eastern Aleppo, Syria.

Aleppo

For years I had been agonizing over the news emerging from Syria’s war–which as far as I could tell was mostly a war of the regime against some of its people, the ones who wanted to see change in their country. Taking a mosaic workshop (my second–it’s a medium that fascinates me) inspired me to launch this project. Jason Brown laid out a sketch, based on an online photo that haunted me.

Aleppo war.jpg

It’s a tragic image of a city laid waste, but we didn’t want to communicate only despair. So as we began to fill out the sketch with tiles and broken ceramic pieces & fabric, we regularly included small bright objects: a beaded ring, earrings, a small red heart, unexpected bits of color. For some these symbolized precious lost things, but for me they stood for the spirited people of Aleppo & those who took great risks to help others: the doctors in underground hospitals, the White Helmets who hurried out to rescue those buried under rubble after a bombing raid.

I had learned a lot from Dr. Zaher Sahloul, a Chicago-based doctor who made multiple trips to Aleppo with the Syrian American Medical Society. So we decided to use the mosaic to raise funds for SAMS, along with the Syrian Community Network, founded by Suzanne Akhras Sahloul, which serves Syrian refugees in the Chicago area. A good friend offered his beautiful home for a gathering in March 2017; there we contemplated the mosaic, the Sahlouls talked to us about Syria, & we collected donations.

By then Eastern Aleppo had been evacuated for a few months: as the regime took over that sector, those wishing to leave had been bused to Idlib. There are other besieged & blockaded communities in Syria today, places where food, clean water & medical supplies are scarce. As I write, the Syrian regime’s army is advancing into Idlib Governate.

Our mosaic is called Aleppo Is My Breath Prayer, because sometimes the only prayer I could muster was “Aleppo, Aleppo,” whispered on rising & falling breath. In the Christian mystical tradition, a breath prayer is a word or phrase that you repeat quietly in the ordinary rhythm of inhalation and exhalation. Our work is an expression of our prayers for peace, justice, and restoration in the beautiful country of Syria. The piece hangs in the sanctuary of Living Water Community Church, to remind us to keep praying. A photo of it also appears on the back cover of the just-published anthology Carrying the Branch: Poets in Search of Peace (Glass Lyre Press).

I do not forget you, Syria.

***

Aleppo Is My Breath Prayer, 2017

Artists: Ruth Goring, Jason Brown, Emily Klein, Ainsley Fleetwood, Katherine Lamb, Rebecca Larsen, Olga Mest, Jamie Daniel, Emily Bynum
Mounting: Ronald Frantz

Materials: ceramics (both tiles and broken dishes), abalone tile, rocks from Lake Michigan, bones, gold, old jewelry, cotton fabric, shells, clear glass, smalti and other glass tiles, copper, other metals, alcohol-based paint, acrylic paint, adhesives, permanent marker, and grout on composition board

home & no home

My friend Jason Brown puts out an occasional gathering of writing & art, Home::Keep. The second installment, RE::DIS//MIS, was launched December 16. I am so grateful to be honored with a folio page for some of my Colombia poems & photos! Jason’s theme is home–our experience of it, our lack of it, our longing for it. Because about 7 million Colombians have been internally displaced by violence, the loss of home comes up again & again in my writing.

Folio :: Excavation // R Goring

054.JPG

Just one of the photos in the folio: my friend gazes at a galleon, replica of those on which her ancestors were forced to make the Middle Passage.

You can never say it all! In which I am interviewed

Darcel Rockett interviewed me for the Chicago Tribune.

The conversation was long and lively, and of course half of what I said is left out of this interview, which is nevertheless generous and so so encouraging.

So let me add a bit here. I’m part of the SCBWI-IL Diversity Community, and it’s important to us not just to populate the pages of kids’ books with more children of color, but also to boost and encourage authors and artists of color! Agents and editors of color too, for that matter–the publishing world in the USA, which I’ve worked in for most of my adult life, is still disproportionately white. We white folks should not be the only gatekeepers. And we need the voices of people of color (POC, called #ownvoices in current lingo) to inform and enrich the lives of our kids.

Also, diversity includes not just variety in skin color but also varieties of abilities and orientations.

It’s a privilege to see the many creative projects that are blooming among my fellow writers and artists! I feel so lucky to be part of the Diversity Community.

And I’m STOKED to have this introduction to Adriana’s Angels in the Tribune!